festival dates scheduled for this summer, including stops at Governors Ball, Bonnaroo, Lollapalooza and Outside Lands. The band began cutting the album in Brussels last November with producer Joylon Thomas and finished it London with co-producer Tom Dalgety. Royal Blood wrote the instrumentals for How Did We Get So Dark? during sessions in Brighton, England, Los Angeles and Nashville. Lets find some podcasts to follow Well keep you updated on new episodes. How Did We Get So Dark? follows Royal Blood’s 2014 self-titled debut, which debuted in the Top Five and made fans like Jimmy Page and the Foo Fighters, who asked the band as opener for their 2015 world tours. I feel like my heart and stomach have temporarily switched place. Create your first playlist Its easy, well help you. During a raucous instrumental section, the room is cast in a deep red light and Thatcher and Kerr continue to play in the waist high water as dancers move around them. 0:00 / 4:00 Royal Blood Lights Out (1 LIVE Session) The Pit 319K subscribers Subscribe 417 25K views 5 years ago Das war eine 1LIVE Session mit Royal Blood. As the pair hit the first chorus of “Lights Out,” a horde of bodies burst out of invisible pools on the floor, ceiling and walls. The clip finds bassist/singer Mike Kerr and drummer Ben Thatcher performing the song in an empty room that slowly fills with water. Truly, so confident and perfectly measured are Royal Blood here that, while definitely focused on the stars, they sound like they never noticed the gutter was there in the first place.British rock duo Royal Blood unveiled a striking video for “Lights Out,” which is the lead single off their forthcoming album, “How Did We Get So Dark?”, due out June 16th via Warner Bros. There’s the old Oscar Wilde line that we’re all in the gutter, but some of us are looking at the stars. For the rest of its 11 tracks, Typhoons is an album that, rather than leaning in to the times in which it was created, rather than yearning for a mythical time when COVID’s over, is already in a taxi with its mates. English alternative rock band Royal Blood is about to conclude their 2022 tour, therefore we couldn’t find a better moment to review one their performances. Only closer All We Have Is Now – a piano ballad that finishes things on a sentimental note – breaks this spell. Boilermaker is familiar territory, but on Trouble’s Coming, the title-track and Hold On, it’s like they told producer and QOTSA mainman Josh Homme to bring out their snappiest side, then spoon Daft Punk over the top. Every time I'm with it alone It picks me up You just send me down I can feel it rushing under my skin You're a cage, won't you let me in On my toes Lock the door Pretty face Through the walls Don't know if I'd be so sure again My eyes are still burning red So turn the lights out You're not so hard to forget With all the lights out Every time I'm stuck in the ground Spin me round, won't you. Having already mastered the art of the thrusting riff across 2014’s self-titled debut and 2017’s How Did We Get So Dark?, here they cover themselves in almost disco beats, subtle electronic flourishes, and a slightly more pared-back sense of cool to the lumber of Ten Tonne Skeleton or Lights Out. Not through repetition, but through what features and ornaments can be hung on such simplicity. While I've had the track on repeat since it's release yesterday April 16th, 2017, one can not help but be compelled to share with others. ![]() Kerr and Thatcher capture the immediate attention once 'Lights Out' starts playing. ![]() ![]() If the band’s whole set-up – bass, drums, vocals, dealing largely in Led Zeppelin-sized grooves – may at first have raised the question of how much can be done with such simple tools, the answer here is: loads. Royal Blood does not sound like any other band out right now and that is a great thing to be a part of or create. British rock duo Royal Blood unveiled a striking video for Lights Out, the lead single off their upcoming album, How Did We Get So Dark, out June 16th via Warner Bros.
0 Comments
Leave a Reply. |